victhree
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#29
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victhree (05/15/2015) [-]
If other people you know changed their mind about the film for a different reason, please point it out to me.
I thought the story, the characters, and their motivations were written almost perfectly, but if you really didn't feel that way, fine.
They wipe out Anna's memories of Elsa because they're tied to the damage her mind has suffered. It's magic, if they build it in a world, they can make any rule they want, as long as they stick with it. Also, they locked her away and tried to teach her how to conceal her powers to keep everyone else safe. Please note, the first 10 minutes are a little too rushed, but what they lead to is worth it. They're enjoyable in themselves, too.
Elsa could always do that (she does it at the beginning), but was too afraid to do it when she was isolated for fear of hurting others. Almost killing your sister would be a pretty traumatic experience.
Umm, because people (believe it or not) change when they grow up.
It's implied that he was always seeking power. He wanted to marry Anna or Elsa during the Coronation day because he suspected they'd be eager for human contact. Notice how neither of his brothers (who should've been invited) seemed to have had showed up. Also, people don't just fall in love with the person that seems most fit for them.
Ahem, they kinda suspected he was bad when he left Anna to die and tried to slice Elsa in two with a big ass sword.
It's a magic prophecy, but if you want to look into it from a symbolic point of view, now that she's finally accepted and loved as the person she is, Elsa can use her powers at will without fear. When she knows she's hurting other people (e.g: when she realises she's frozen up the kingdom), she panics and remembers the hate they all feel towards her.
They're almost completely unnoticeable. I never noticed any without having seen a list of them on the internet. If you use them to judge the film, you're just nitpicking.
You see, Frozen is a fairytale. It's the closest Disney has come to their original films in years. Nowadays, there's a general opinion that films need to make a lot of sense. But in many flicks made before the 2000s, when there was no internet to count a film's sins, the plot moved as it wanted to. A few examples of these are Pinnochio, the Wizard of Oz, and Willy Wonka & the Chocolate Factory. Many things in these films are left unexplained or seem to follow a strange logic, but those aren't necessarily bad elements, they form a style of film-making in itself. A film really draws my attention when it goes at the pace it wants to go. It make everything seem less forced and more natural.
Also, there are countless iterations of that fairytale, each with their own plot points. This is the kind of film that should be judged by its own accomplishments.
In my opinion, it works perfectly at what it's trying to do: being a fairytale. In a clever move in writing, Instead of subverting staples of the genre for comedy, it both embraces them and understands them. The princess wants to marry someone she just met, but it's actually made very relatable because she is that desperate for someone to love. The trolls need to erase her memories to cure her, but we can accept it because that's how the fairytale decided to go. It appeals both to what we want to see happen and what we think should happen.
As a final thought, I'd like to bring attention to all the elements that are outstanding. The film is designed beautifully; the subtle morals are actually quite relevant in the world today; the songs... oh my the songs, they're incredible no matter how you look at them, and they aren't gratuituous, they either move the plot or tell how the characters are feeling; the comedy is really good, and I like how they manage to get so much from a protagonist; the plot always progresses naturally... there's just so much to say about it!
TL;DR: I wrote waaaaaaaaaaay too much, Frozen is excellent at what it wants to be: a fairytale.
I thought the story, the characters, and their motivations were written almost perfectly, but if you really didn't feel that way, fine.
They wipe out Anna's memories of Elsa because they're tied to the damage her mind has suffered. It's magic, if they build it in a world, they can make any rule they want, as long as they stick with it. Also, they locked her away and tried to teach her how to conceal her powers to keep everyone else safe. Please note, the first 10 minutes are a little too rushed, but what they lead to is worth it. They're enjoyable in themselves, too.
Elsa could always do that (she does it at the beginning), but was too afraid to do it when she was isolated for fear of hurting others. Almost killing your sister would be a pretty traumatic experience.
Umm, because people (believe it or not) change when they grow up.
It's implied that he was always seeking power. He wanted to marry Anna or Elsa during the Coronation day because he suspected they'd be eager for human contact. Notice how neither of his brothers (who should've been invited) seemed to have had showed up. Also, people don't just fall in love with the person that seems most fit for them.
Ahem, they kinda suspected he was bad when he left Anna to die and tried to slice Elsa in two with a big ass sword.
It's a magic prophecy, but if you want to look into it from a symbolic point of view, now that she's finally accepted and loved as the person she is, Elsa can use her powers at will without fear. When she knows she's hurting other people (e.g: when she realises she's frozen up the kingdom), she panics and remembers the hate they all feel towards her.
They're almost completely unnoticeable. I never noticed any without having seen a list of them on the internet. If you use them to judge the film, you're just nitpicking.
You see, Frozen is a fairytale. It's the closest Disney has come to their original films in years. Nowadays, there's a general opinion that films need to make a lot of sense. But in many flicks made before the 2000s, when there was no internet to count a film's sins, the plot moved as it wanted to. A few examples of these are Pinnochio, the Wizard of Oz, and Willy Wonka & the Chocolate Factory. Many things in these films are left unexplained or seem to follow a strange logic, but those aren't necessarily bad elements, they form a style of film-making in itself. A film really draws my attention when it goes at the pace it wants to go. It make everything seem less forced and more natural.
Also, there are countless iterations of that fairytale, each with their own plot points. This is the kind of film that should be judged by its own accomplishments.
In my opinion, it works perfectly at what it's trying to do: being a fairytale. In a clever move in writing, Instead of subverting staples of the genre for comedy, it both embraces them and understands them. The princess wants to marry someone she just met, but it's actually made very relatable because she is that desperate for someone to love. The trolls need to erase her memories to cure her, but we can accept it because that's how the fairytale decided to go. It appeals both to what we want to see happen and what we think should happen.
As a final thought, I'd like to bring attention to all the elements that are outstanding. The film is designed beautifully; the subtle morals are actually quite relevant in the world today; the songs... oh my the songs, they're incredible no matter how you look at them, and they aren't gratuituous, they either move the plot or tell how the characters are feeling; the comedy is really good, and I like how they manage to get so much from a protagonist; the plot always progresses naturally... there's just so much to say about it!
TL;DR: I wrote waaaaaaaaaaay too much, Frozen is excellent at what it wants to be: a fairytale.
I got sick of the Frozen stuff. So I deleted it. The content had no business having it all there in the first place.
They're what comes after an episode is written. When the writers finish the story, storyboard artists come in and translate it to the screen. They plan the shots, design some characters, decide how the scene will be animated and much more. It's an awesome job if you like animation, every show creator on CN was a storyboarded before they got their own series.
BTW, have you watched Over the Garden Wall?
BTW, have you watched Over the Garden Wall?
Yeah, but you need to know a lot about animation and drawing to to it well.
And you should watch Over the Garden Wall if you've got the time. It's a miniseries (10 episodes, 10 minutes each) about two kids who get lost in a place simply called "the unknown". It looks like colonial America, but with some fantasy elements. The animation and backgrounds look great, and it's pretty well written.
And you should watch Over the Garden Wall if you've got the time. It's a miniseries (10 episodes, 10 minutes each) about two kids who get lost in a place simply called "the unknown". It looks like colonial America, but with some fantasy elements. The animation and backgrounds look great, and it's pretty well written.
No, his only real mother is Rose. Now that she's gone, the crystal gems (garnet, amethyst and no-fun allowed), of whom Rose used to be the leader, take care of him as though they were a family. Greg's there too, but he can't fight so he just hangs out with Steven sometimes.
It was about how Greg (Steven's father) met his wife Rose. As she was a gem, she had to give up her body to bring Steven to life, so she's never appeared in the series up until now. This may not seem too exciting, but it's the episode fans of the series have been waiting for since the very first moment. Everything that's happened so far hinges on Rose, even though she'd only been talked about. Needless to say, it lived up to the hype.
It wasn't just me though. CN released a 30 second peek a few days ago, and the episode became a legend before it even aired. There was more fan art on that half minute of footage than there has been on entire shows.
It wasn't just me though. CN released a 30 second peek a few days ago, and the episode became a legend before it even aired. There was more fan art on that half minute of footage than there has been on entire shows.
